Thursday, October 25, 2018

1 October 2018 – Scotia

The dances:

EH3 7AF  –  (32 J 3)  – Bk 40 (Goldring)
Barbara's Strathspey  –  (32 S 3)  –  Bk 46 (McKinnell)
Bubbly and Cake  –  (32 R 3)  –  Wendy Carse
The Flying Spur  –  (32 J 3)  – Drewry
The Moray Rant  –  (48 S 3/3L)  –  Drewry


––   ÷ ÷ ÷   ––   ÷ ÷ ÷   –––   ÷ ÷ ÷   –––   ÷ ÷ ÷   –––


Barbara's Strathspey:- I have taught it before and commented on it before. Nothing has changed. It is still one of the loveliest dances in the repertoire.

Bubbly and Cake:- I was introduced to this dance by Brian Haeckler, one of the other teachers in New Haven, who was working with Set and Link for three. I think the dance has that 'something' and the dancers at Scotia agreed. They gave it more than just polite clapping.


Diagram courtesy of SCDDB and Keith Rose.

The Flying Spur:- I love it! I always have (well since I first danced it). But what I can not stand is the music that I have for it. Nothing about that recording makes me want to get on the floor and dance. So I use The Famous Baravan instead - recorded by Marian Anderson's Band. that one gets me out of my chair.

I have written about it before and my view that it is actually two dances in one hasn't changed.
The 1st couple have one dance, the supporting couples have a different dance and they occasionally intersect in interesting ways.

The Moray Rant:- One of John Drewry's sleepers - by that I mean there are lots of opportunities to interact with partner and the other dancers and those moments are often missed. And, for me at least, knowing that those moments are just ahead make it easier for me to remember the choreography. The turns are out the side! Why? So you get a moment with partner as you dance toward each other at the bottom, or the top, or…

These last two dances are (or will be) Drewry Night staples. It is hosted by the Brooklyn class of the New York Branch and will be held on 1 December 2018. See the posting in Upcoming Events.



25 September 2018 –– New Haven

The dances:

New Year Jig  –  (32 J 3  –  Bk 51
The Sands of Morar  –  (32 S 3)  –  Priddey
Glastonbury Tor  –  (32 R 3)  –  Bk 47
The Pawling Mermaid  –  (32 J 3)  –  Price
The Scallywag  –  (40 J 3)  –  Bk 52 (Kelly)
Barbara's Strathspey  –  (32 S 3)  –  Bk 47 (McKinnell)

 Ú   ÒÒ   ÚÚ   ÒÒÒ   ÚÚ  Ò  ÚÚ   ÒÒÒ   ÚÚ  ÒÒ  Ú

New Year Jig:- The dance is well constructed. The flow is superb, better it close to perfect. Is there a mantra? Yes. "1st lady - face out!" Always! The dance is growing on me. Thumbs up.

The Sands of Morar:- A Barry Priddey gem. You do understand that I am severely prejudiced just about every dance of his is going to be one of my favourites. This one is interesting and lovely.
Key: the timing/phrasing of the reels. It needs to be impeccable. No overshooting the halfway point.

Glastonbury Tor:- Really, what can I say? The dance is a good one. If there is a catch, it is with the four bars of Set + Link for 3. At first the dancers will go with muscle memory and try and add a second link. Oh well.

The Pawling Mermaid:- Look at earlier posts 'cause I have pretty much said it all already.

The Scallywag:- At first look I wasn't sure. At first teaching I still wasn't sure. I am now sure. This is a good dance. For those who can the opportunities for eye contact, for flirting, are there for the taking.
And it is fun! Thumbs up for this one. And by the way, the Jim Lindsay recording for Book 52 is really, really, good.

Barbara's Strathspey:- This is one of my Top 50 dances. That it is not danced everywhere is beyond my ken. Yet I just found out that it is not part of the Paris Branch repertoire. The newest dancer in New Haven, a professor of French Literature fresh from Paris, had never heard of it. And my greatest joy is to see dancers light up when I introduce them to a new fabulous dance.

Friday, October 19, 2018

24 September 2018 – Scotia

Just so you know, I have a good excuse, no, reason, why I am behind in my posts. I have my computer back, and while the case is the same the insides are brand new.

It started last month when the curser began to wander around the screen without my input and only sort of settled down after multiple reboots. I had also forgotten my original (2012) system password which meant I could not update anything, could not add fonts, could not upgrade a program, or make any other changes to the system. So I had nothing else to do but take it in for a complete hard drive erase and reinstall of the system… they took it in back and the next day I got a phone call with the 'news' that the new trackpad hadn't solved the 'problem'. Apple wanted to send the computer to Texas for more extensive 'repairs'. I agreed - I had no other choice.

When I got the computer back the invoice included a new logic board, a new hard drive, a new battery, and two new memory modules. Mind you the old ones were all working when I handed the machine over to them.

Hmmm… what do you think happened and why was the repair only $130.00 (as originally quoted) and not the $612.00 on the bill the rep presented me?

Anyway, I am back.

The Dances I taught were:

The Pawling Mermaid  -  (32 J 3)  -  Price
The Sands of Morar  -  (32 S 3)  -  Priddey
The Aviator  -  (32 J 3)  -  Bk 52 (Fischer)
Trip to Tobermory  -  (32 S 3)  -  Paris Book

-  -  -  $$  -  -  -  $$  --  --  --  $  $  $  --  --  --  $$  -  -  -  $$  -  -  -

The Pawling Mermaid:- I wrote the dance in honor of a dancer who 'loves' to swim in Sylvan Lake at the NY Pawling Weekend and will do so even though there is no lifeguard present and we are expressly forbidden. This will be formally published Real Soon Now because I now have a commissioned tune by Peter Macfarlane.

Peter send me three MP3 recordings. The first one was a hornpipe for my Palisades Mermaid, a strathspey for my dance The Portland Mermaid and this jig. The usual procedure is to check with the person commissioning the tune to see of they like it and solicit feedback in order to tweak it into shape. It wasn't needed. I listened to the hornpipe first and about halfway in I found myself beginning to smile. I listened to the strathspey and found myself 'singing' along. I listened to this jig last and wasn't sure so I put it on repeat. I soon found myself imaging the swing of my kilt. Three for three!

The Sands of Morar:- There are two sets of instructions out there. The dance as published by the RSCDS in Book 45 and the dance as earlier published in Glasgow Diamond Jubilee. The instructions for bars 17 - 20 differ. Oh Joy!

From Glasgow's Diamond Jubilee Book:

1st couple turn with both hands once round and dance down the middle to 3rd place retaining nearer hands; 2nd couple dance up to above top place, join nearer hands and dance down to 2nd place; 3rd couple dance in to touch hands and continue to dance out and up round top place to face down with nearer hands joined.



From Book 45:
1st couple turn with both hands once round, dance down to third place and retain nearer hands. 2nd couple dance out and up to first place and, joining nearer hands, dance down to second place to finish in the middle behind 1st couple. 3rd couple dance in to give nearer hands (3rd man right hand 3rd woman left hand) and dance up and out to first place to finish in the middle behind 2nd couple. All three couples are in the middle of the set facing down.


Small difference in text with big difference in space-time continuum for the dancers.

The Aviator:- Nothing has changed - I still love it! So do many of my dancers.

Trip to Tobermory:- Not the John Drewry dance, (24 S 2). From the Paris Book (32 S 3). This is one temperamental wee beastie and in a very subtle way. I read it over several times before hand but to really know it, I will have to dance it and I didn't get the chance. I had to get all the other people through this dance which I, honestly, didn't know.