22 May 2018 – New Haven

New Haven Ball: done. Rerr Terr: done. Kilts and Ghillies Tea Dance: done! Pawling: done. Westchester Ball: coming Real Soon Now and I asked but no one was going. ***Freedom***!!!

So what did I do? I taught dances long listed for Next Years Tea Dance. What I am trying to say is - I tried out some dances I have not actually danced or seen danced but heard of or read. And that is dicey business at best because true knowledge only comes when the leather hits the dance floor.

The dances I taught were:

The Findlays' Jig  –  (32 J 3)  –  Goldring
Katoomba Mist  –  (32 R 3)  –  Charlton/Sydney Down Under
Miss Graham of Dykeside  –  (32 S 3)  –  Williamson
Brenda's Jig  –  (32 J 3)  –  Coast to Coast (Mulligan)
The Lea Rig  –  (32 S 2)  –  21/5
The Pawling Mermaid  –  (32 J 3)  –  Price leaflet
The Waipu Wanderers  –  (32 R 3)  –  Eddy West
Border Weavers  –  (32 S 3 set)  –  Alex Gray/Tweeddale 2
Trip to Timber Ridge  –  (32 R 3)  –  Linda Henderson

‡–––‡   ‡–––‡   ‡–––‡   ‡–––‡   ‡–––‡   ‡–––‡   ‡–––‡   ‡–––‡

The Findlays' Jig:-  Well known, and well done, and often. It hasn't yet worn out its welcome.

Katoomba Mist:- By Brian Charlton, in the 'Sydney Down Under Collection'. I have run across a few of his dances but this time I went fishing and landed one. One of the comments was "it's a good one". Simple but with substance to work with.  Thumbs up from the dancers.

Miss Graham of Dykeside:- I learned it from the author. His style is inimitable and I don't have it, or the music. So it didn't go over as well in my class as it did in his. I will try again.

Brenda's Jig:- It reads easy. It didn't dance easy. There is nothing there to be a problem. The same dance on a different evening equals a different dance so maybe I will get a different result. I so hope so.

The Lea Rig:- A golden oldie that hasn't been done in a long while here-a-bouts. I find that while the pattern gets tedious, the music never has. Time.

The Pawling Mermaid:- I wrote it. I have a vision. I rarely see it done that way. Harumph! I wrote notes emphasizing what I wanted - ignored! Seriously? I am not breaking any new ground with the choreography that requires tedious teaching. No spaghetti track. No four part harmony with discord (aka meanwhile figure). All I have done is ask that, on bar 6, the Back-to-Back BE a Back-to-Back and that on bar 7 the back-to-back break out into a right shoulder cast back to place. The second time 1st couple's track is easier if they dance by their partner by the right shoulder - i.e. inter-link on the way home. This avoids the "splat, like bug in road" thing.

The Waipu Wanderers:- I have been downloading Eddy West's dances piecemeal for a couple of years. But I have never really studied them. Our Xiaowen (New York City by way of Shanghai, New Zealand and most recently Chicago) gave me a couple of recommendations so I am looking at them. Nothing exotic here, just unknown which does NOT equal difficult or bad.

Border Weavers:- Oh my have I been derelict in my duties. This dance is on the cusp of being standard repertoire in the NY/NJ area but New Haven has not seen it before! Mea culpa!
Oh by the way, they liked it (no surprise - it is a good dance.)

Trip to Timber Ridge:- Hot dance to really hot music!! The tune is in B and that makes it a bear for fiddlers, and we had really good fiddlers at The Pawling Weekend. Was it really just two weekends ago?

Linda Henderson grew up in the county that gave Scotland the Saltire flag and the dance has two representations of the saltire in it.

24 April 2018 - New Haven

The last class before the Tea Dance and oh my am i ready to put these dances to rest. Well at least for a while. And, for Leslie's sanity and mine, I also taught a couple of 'others'.

Dances taught:

Chased Lovers  -  (32 J 3)  -  Wilson
The Clarsach  -  (32 S 3 set)  -  Ryer
Scotia Sea  -  (32 R 3)  -  Goldring
Autumn Posy  -  (32 S 2)  -  Butterfield
The Zoologist  -  (32 J 3)  -  46/12

Muirland Willie  -  (32 J 3)  -  21/9
Eggemoggin Reach  -  (32 J 3)  - Price

°°°  °°  °  °°  °°°  °°  °  °°  °°°  °°  °  °° °°°

Autumn Posy:- One of those! Such a simple a dance, but so difficult to dance it well. The character of the dance - flow. Each piece is set up by the one before but the dancing has to be impeccable.

The Zoologist:- They liked it! There were four or five thumbs up from the dance floor. That means it is on the short list for Tea Dance2019.

23 April 2018 - Scotia

Vivian, the 2nd half teacher at Scotia, asked me to teach the dances from the Tea Dance that she didn't know.

Dances taught in the 2nd half were:

By Vivian:
Mr Michael Bear's Reel  -  (32 R 3)  -  RSCDS Graded 2

I then taught:
Topsy Turvy  -  (32 S 3 set)  - Glasspool
Born to Dance  -  (32 J 3)  -  Collin
Silver Thistle Ball  -  (32 S 3 set)  -  Between the Rivers
Eggemoggin Reach  -  (32 J 3)  - Price leaflet
Toast to the Mousies  -  (32 R 3)  -  Gratiot leaflet

7 April 2018 - Stamford K&G Workshop

Yes, I know these last two posts are out of order, but I saved a whole page in my notebook.

The teaching duties in the workshop was split between Sandra and myself. Again I must have upset the house gremlin because I will swear, to my dying day, that the workshop went to five pm. Not. Only to 4 pm. Oops.

The dances taught were all from the Tea Dance program (duh):

Findlays' Jig  -  (32 J 3)  -  Goldring
Da Rain Dancin'  -  (32 R 3)  - Wallace
Topsy Turvy  -  (32 S 3 set)  -  Glasspool
A Reel for Maria  -  (40 R 3)  -  McRanor (Suncoast)
Scotia Sea  -  (32 R 3)  - Goldring (Scotia Suite)
Silver Thistle Ball  -  (32 S 3 set)  -  Between the Rivers
Eggemoggin Reach  -  (32 J 3)  -  Price leaflet
The Clarsach  -  (32 S 3)  -  Ryer (Portland 20th)
Haste Ye Back  -  (88 R 4 sq)  -  Goldring